Moulton Lectures
On
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Lecture 9 Simple
Acoustic Filters 1
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Presented
by:
Dave
L Moulton
Location: Thales Acoustics Harrow UK
Content
In this lecture I want to show how common filters such as low pass, high pass, band pass and band stop filters can be realized in the acoustic domain. The same filtering effects achievable with electronic circuits using combinations of passive Resistors, Capacitors and Inductors can also be achieved with combinations of cavities and tubes.
This is a very important area in the field of electroacoustic design, since at the end of the day the prime objective of an electroacoustics engineer is to manipulate sound pressures to achieve a desired performance.
The conversion from the acoustic domain to the electrical is not always obvious. There are particular situations where a cavity and a transmission duct can have acoustic compliance, yet in some cases it is not immediately obvious if the compliance is acting as a series element or as a parallel shunt element. There are also situations where it is very difficult to represent the acoustic system as a mechanical equivalent.
The only true way of expressing the nature of the electroacoustic circuit is to derive all of its system equations, multiple differential equations, each one describing a particular mesh within an electrical circuit. For this lecture I do not intend going down that route, mainly due to the amount of rigorous mathematics involved and the fact that to get through it all I would have to extend the lecture duration to many hours. I will try and use the direction and distributions of Volume Velocities to try and establish the equivalent circuits.
On with the Lecture
In lecture 4 we looked at electroacoustic analogies and how simple cavity systems such as the Helmholtz resonator could be translated in an equivalent electrical circuit. The Helmholtz resonator was represented as series impedance circuit, where the impedance reached a minimum value at a particular excitation frequency. At the excitation frequency the Volume velocity of the mass of air in the neck of the tube was at its peak value. This is in fact the foundation of an acoustic filter made up of a cavity and a tube. We were able to determine the excitation frequency as a function of the dimensions of the Helmholtz system.
What I want to do now is introduce the acoustic equivalents for what is probably the four most common filter types in any domain.
Acoustic Low Pass Filter
Consider the acoustic system shown in figure 9.1 below:

Figure 9.1
Where UV represent volume velocity. Ma, Ca, and Ra are the respective Acoustic Inertance, Compliance and Resistance components of the system.
Acoustic High Pass Filter
Consider the acoustic system shown in figure 9.6 below:

Figure 9.6
This arrangement assumes that the through path (or transmission duct) for the pressure wave has a diameter that is much greater than its length. Thus allowing us to neglect any Inertance and Resistance affect.
Unfortunately there is no equivalent mechanical circuit for this arrangement. See the notes at the end of this lecture.
Using the same reasoning as for the low pass filter the equivalent electrical circuit is:

Figure 9.7
Acoustic Band Pass Filter
Consider the acoustic system shown in figure 9.11 below:

Figure 9.11
Unfortunately there is no equivalent mechanical circuit for this arrangement. See the notes at the end of this lecture.
A little bit of careful thinking is now required to put together the equivalent electrical circuit. Remember that the velocity through Ca is the difference between the velocity entering the system and the velocities leaving through the tube and open port.

Figure 9.12
The transfer function for this circuit is:

The frequency response of this circuit looks like:

Figure 9.13
Cascaded band pass filters all with equivalent filters can be used to provide either a very sharp tuned filter or it the filter values are different they can overlap and provide a much wider pass band.

Acoustic Band Stop Filter (Also known
as a Notch Filter)
Unfortunately there is no equivalent mechanical circuit for this arrangement. See the notes at the end of this lecture.
An explanation why some acoustic
systems have no simple mechanical equivalent.
Many Acoustic systems have no equivalent Mechanical system. The reason being that each end of a mechanical spring can only move with one degree of freedom and that is backwards and forwards. Whereas a compliant cavity can distribute air into numerous ports and outlets directly connected to the cavity, the resulting velocity movement of air in each port or tube can be different depending on their dimensions. For an acoustic system the Volume velocity entering the system is equal to the sum of all the Volume velocities leaving the system. The end of a mechanical spring on the other hand can only move the object or objects that are directly connected to it with the same velocity.
Multi ported acoustic systems share more in common with a real electrical system for the simple reason that electric ac current and air volume velocity can pass straight through an electrical Capacitor or Acoustic compliance. For example in an electrical circuit the ac current entering a series capacitor will also leave the capacitor. The same can be said for a volume velocity entering a cavity completely open at both ends (i.e no Inertance or Resistance at either end) . In the case of a mechanical system the only velocity that passes through the spring is the differential velocity between the two ends of the spring.
Equivalent systems
